Telefon: Product Description
Martin Logan BalancedForce 210
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IMPORTATOR EXCLUSIV
Martin Logan BalancedForce 210
27539 lei/bucata
Sau 3442.375 lei / luna in 8 rate 
Garantie 24 luni
* Preţul conţine TVA şi taxa timbru verde
Descriere Producator
Nici un producator de boxe nu a urmarit o idee, un crez, cu mai multa perseverenta decat Martin Logan. Esenta sunetului unic al boxelor Martin Logan este o consecinta directa a superioritatii tehnologiei panourilor electrostatice si a dorintei de a oferi clientilor senzatia ca sunt in aceeasi incapere cu artistii/muzicienii/interpretul.
In zilele noastre, panourile electrostatice produse de Martin Logan au diafragma mai usoara decat aerul pe care-l misca si mai subtire decat firul de par, oferind cel mai bun raspuns posibil in frecventa, transparenta absoluta, realism si precizie chirurgicala, fiind un adevarat triumf al tehnologiei si al ideilor inovatoare. Din integrarea perfect echilibrata a panourilor electrostatice cu cele mai bune difuzoare de bas, a rezultat obtinerea unor boxe hibride ce se bucura de aprecierea unanima a pasionatilor de pretutindeni.
Mai multe detalii...
Cunoscuta in primul rand pentru pozitia sa de lider mondial in producerea de boxe electrostatice, compania cu sediul in Lawrence, Kansas, construieste si unele dintre cele mai apreciate subwoofere din lume, fiind totodata intre primii trei producatori mondiali de sisteme multicanal high-end.
Pentru a intelege mai bine superioritatea tehnologica a boxelor hibride fabricate de M. Logan, se impun cateva informatii suplimentare:
-Sursa de sunet este liniara, dispersia fiind perfect controlabila.Aceste caracteristici se traduc printr-o pozitionare facila a boxelor fata de punctul de auditie, indiferent de configuratia si dimensiunile camerei. O caracteristica de baza a boxelor hibride Martin Logan este lipsa refexiilor din podea si tavan, oferind un control foarte bun al sunetului.
-Fiabilitatea si rezistenta la socuri mecanice este superioara boxelor clasice. Diafragma este practic imuna la perforare, sunetul nefiind afectat chiar daca se intampla un accident. Panourile electrostatice sunt absolut sigure in utilizare, neexistand nici un fel de pericol in cazul atingerii lor accidentale.
-Reproducerea frecventelor medii si inalte cu ajutorul tehnologiei electrostatice elimina necesitatea unui crossover intre cele doua plaje de frecvente, obtinandu-se o linearitate exceptionala, imposibil de atins utilizand solutii conventionale.
-Diafragma utilizata de Martin Logan cantareste de cateva sute de ori mai putin decat membrana unui difuzor conventional si din acest motiv cursa este extrem de scurta si de rapida, practic nu exista inertie, iar suprafata radianta este mult mai mare.
-Wooferele utilizate pentru frecventele joase au o caracteristica specifica Martin Logan, difuzoare de mari dimensiuni fiind montate in cutii mici pentru a se obtine rezonante extrem de reduse. Crossoverele folosite intre frecventele joase si cele medii sunt extrem de performante.
-Lipsa necesitatii unei incinte in care sa fie montate tweeterele si difuzoarele de medii ofera o neutralitate absoluta sunetului, acesta fiind lipsit de interferentele/coloratiile date de cutie, naturaletea obtinuta fiind foarte aproape de perfectiune.
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Descriere Produs
BalancedForce™ subwoofers are the realization of years of engineering by the MartinLogan team combined with the latest innovations in advancedDigitial Signal Processing (DSP), amplification, electrical system designs and room correction (PBK). They are specifcally designed to blend with Electrostats without diminishing the wondeful electrostatic snap and midrange clarity.
A true no-compromise subwoofer – regardless of application.
The most important ahievement in the all-new BalancedForce 210 is driver configuration (yes, that’s where we derived the name!). Two identical 10-inch drivers – high-performance, high-excursion aluminum-cone woofers – are mounted at a “balanced” 180 degrees apart from each other in the cabinet. As a result, their reaction force vectors exactly cancel, virtually eliminating cabinet resonance and vibration. Gone with them are the cabinet-radiation coloration and bass blur that afflict even the best conventional subwoofers.
izabelaflescan – :
Seamless extension to the lowest octave of human hearing
I used to work in the field of engineering acoustics, including some work in speaker evaluation using impulse functions. When I saw that Martin Logan was selling some subwoofers that were capable of custom tuning using what appeared to be a familiar technique, I had to have one. The PBK space averaged transfer function that they appear to be using just begged to come home with me.
So I bought the BalancedForce 210 and ordered the PBK accessory to be delivered later. I thought this set up would have really excellent “play value” for someone with my interests.
It was my plan to mate this subwoofer to my Theos main speakers in a two channel system. I noted that Martin Logan has a custom function that can be downloaded to effect this pairing, and I intend to install the proper file later.
I am writing this note today because, following the instructions in the BalancedForce 210’s owner’s manual, I was able to pair the subwoofer with the Theos beautifully, and without resorting to downloading any files or using the PBK accessory. I will look forward to doing these future tweaks, but for now I am wrapped up in very pleasant listening.
The Theos are quite good, have a +/- 3 dB limit at about 43 Hz. The 210 allows you to pick up the next lower octave of program content.
Many two channel sources have very little, or even no acoustic content in this lowest audible octave, but for many recordings, the lowest audible octave adds richness and reality to things like large drums, very low bass notes from organs, electric basses, acoustic basses, synthesizers, organs, and the like.
I’ve played through several cds today, and I think there were noticable improvements that I could hear in every case. Most of the musical program material that I selected was chosen for my love of the music. But eventually I had to try some recordings that present special challenges to reproduction equipment. The most notable of these was Paula Cole’s “This Fire.” I have NEVER before heard a believable playback of the first cut, Tiger. There are a couple of bass segments on this cut that will cause every other speaker, including the unaugmented Theos, to crash and burn. The Theos augmented by the 210 breezed through this cut, including all of the absurd infrasonic bits that accompany the audible low bass notes.
I like this subwoofer better than I thought I would. Its low frequency cut off limit is 30 Hz, so this allows it to “get out of the way” of the Theos very effectively, and they mate up exceedingly well. The stock settings of 90 degrees for phase, 0 for the 25 Hz boost/cut setting, 4 for the level setting, and 30 for the low frequency limit setting seem to be hard to improve on. I look forward to being proven wrong when I get around to downloading the Theos matching file, and going through the PBK set up.
I would buy this component again without reservations.–Glen J.
izabelaflescan – :
I can’t claim that the MartinLogan BalancedForce 210s are the end-alls in low-end reproduction, or that they will fool you into thinking there is an actual standup or electric bass sitting in your living room. What I can say is that they have brought me much closer to the real thing and made me a believer in subwoofing. Now that the 210s are in my listening room, my music–and not just music where bass is prominent–has taken on a new life. They have made a far greater difference in my stereo than any other component I can remember in a very long time. If you have a large room or really feel the need to hear low bass, the BalancedForce 210s are essential tools to getting the most out of your music.
—Spencer Holbert, The Absolute Sound
theabsolutesound.com